Knight Lines Editing Self-Editing Tips


THREE BIGGEST GRAMMAR ERRORS: PASSIVE VOICE, HYPHENATED WORDS, MISPLACED COMMAS

Quotation mark punctuation:
-Periods, commas, question marks and exclamation points always go inside the closing quotation marks (in American English). “You better watch out.”
-Semicolons, colons, and dashes always go outside the closing quotation marks.
-Single quotes are ONLY used inside quotations for dialogue. “I told her, ‘You better watch out,’ but she didn’t listen.” If the quote inside the quote ends the quote, use a single quotation mark and double quotation marks together. “I told her, ‘You better watch out.’”
“Are you ready?” she asked. (A question needs a question mark, and, if tagging, has a lower case pronoun after it.)


Numbers:
Twenty-one through ninety-nine are hyphenated; others are open. Two hundred fifty miles. Twenty-two miles.
Two hundred fifty-two miles per hour. "Miles per hour" is not hyphenated.


PASSIVE VOICE:
started running = ran               was sitting = sat              began crying = cried           were playing = played
How else can you say “began crying?” SHOW the person starting to cry. The moonlight glimmered from the tear falling gently down her cheek. OR The baby’s chin quivered and his face turned bright red just before he let out a blaring wail.  

Further vs. Farther:
-It’s easy to remember because “farther” has the word “far” in it, and “far” obviously relates to “physical” distance. “My car traveled farther than yours.”
-Use “further” for figurative distance. “If you complain further, you’ll go to bed without supper.”

From vs. Than (different from vs. different than) ALWAYS SIGNALS A COMPARISON Different From is always preferred over Different Than. When in doubt, use “from.”
-“From” Harry knew he was different from the rest of the class.  He differs from his class. Use differ and see that from sounds better. (“From” is usually followed by an object/noun or Pronoun.)
-“Than” example: Grammar is no different for men than it is for women. (“Than” is usually followed by a verb AND noun.) https://www.shmoop.com/grammar/spelling/different-from-vs-different-than.html 


Hyphens:
-When combining two or more words to form a compound adjective before a noun, put hyphens between the words:
five-pound hammer       twelve-hour shifts          forty-year-old man         fifty-foot tall trees (but fifty feet tall)
-Don’t use hyphens when the compound number comes after the noun:
The hammer weighed five pounds.         The shifts lasted twelve hours. The man said he is forty years old.
-Here’s another: two- or three-ring binders (add a space after the first hyphen, if plural) http://www.whitesmoke.com/janestraus_17
-Although it’s okay to use hyphens with adjectives, hyphens and adverbs don’t get along as well. You shouldn’t use hyphens with adverbs such as “happily” and “individually.”  e.g., “happily married man” or “individually wrapped cheese.” http://www.quickanddirtytips.com/education/grammar/how-to-use-a-hyphen?page=3
-Hyphens for time: according to The Chicago Manual of Style, don’t hyphenate unless followed by a noun:
three thirty         three-thirty bus          three thirty-five (only hyphenate between the minutes)


Semicolon: Use sparingly in fiction writing. A semicolon links two independent clauses with no connecting words: 
I’m going home; I intend to stay there.         
It rained heavily; we had our picnic anyway.


DEPENDENT CLAUSE:
A dependent clause has to be completed by an independent clause. IT CANNOT STAND ON ITS OWN.
Before the food gets cold
As the light dimmed
Why the movie was a flop
An INDEPENDENT CLAUSE stands on its own and expresses a complete thought: subject/action verb/(object)
We should all sit down and eat before the food gets cold.
It got harder to read as the light dimmed.
I asked my friend why the movie was a flop.

·         Colons: Use colons to introduce a list or a quotation. Colons aren’t used too often in fiction, so be sure yours are well placed and necessary.
·         Dashes: There is more than one kind of dash. A hyphen is the shortest and is used to connect words. An en dash (called that because it’s the width of an “n” in the original hot-lead typesetting process) is used to separate numbers: 1– 4. An em dash (you guessed it—it’s the width of the letter “m”) can be used like a colon or to offset a tangent. Em dashes are fun—they draw attention to themselves—but don’t use them too much.
·         Ellipses: Ellipses (ellipsis is singular) are used to indicate that there’s something missing from a quote. Fiction writers like to use them . . . in dialogue . . . to show hesitation . . . or pauses . . . in the conversation. But using too many gets distracting. Use them sparingly and they will be more effective. [KNIGHTLINES edit: an ellipses should be constructed thus: word, space, period, space, period, space, period, space, word. It might be different if you're proofing an eBook.]
·         Parentheses: parentheses are quieter than other punctuation marks. They can be used to give important (but side) information. They’re generally not to be used in fiction unless you’re going for an overt literary feel where the narrator is more present. And don’t forget that closing parenthesis!
·         Exclamation Points: Don’t use exclamation points just to make a simple statement seem important or urgent! Only use them for true excitement or yelling. There is a difference between a character in your book saying “Fire” and saying “Fire!” Exclamation points do have their place, but they are often overused.
·         Contractions: Using contractions sounds natural because it is natural. Prose without contractions sounds stiff and formal.

[KNIGHTLINES edit: depends on time period, or if someone is speaking in a foreign language and you’re using English to translate it for the readers. Regency English rarely used contractions in the upper classes. Lower classes contracted their speech. Contractions went out of fashion in the 1700s and contractions in the U.S. didn’t become common or popular again until well into the 20th century.]
·         Commas:
o   Two independent phrases are always separated by a comma (Jim filed his taxes, and he got a refund).
§  Don’t use a comma between an independent and dependent phrase (usually a conjunction is used) Jim filed his taxes and breathed easy. Jim filed his taxes because he didn’t want to be late.
o   The comma before the word too.  If two different subjects are doing an action, there’s no comma Leslie used a comma. Bob used a comma too. (ßinclusive) If the same subject is doing two things, add a comma. Bob used a comma and end quotes, too. (ßin addition)
o   The comma and the speech tag. If the character is laughing, sighing, or groaning, etc., use a period between that action and the character’s actual words.  [“That’s so funny,” Carol laughed. ßincorrect vs. “That’s so funny.” Carol laughed at Jim. OR “That’s so funny,” Carol said and laughed at Jim.
o   The comma splice. This happens when two independent sentences (that might feel like they could be one connected thought) are incorrectly connected with a comma.
§  Incorrect: “These two ideas have something in common, pay attention to them.”
¨       Quick fixes would be to replace the comma with a period, em dash, or semicolon.
¨       Or this: “These two ideas have something in common, so pay attention to them.”


More About the Comma Splice:
Incorrect: He used to be a lazy bum, now he’s a hard worker.
Correct: He used to be a lazy bum, but now he’s a hard worker.
Or . . . He used to be a lazy bum. Now he’s a hard worker.
Or . . . He used to be a lazy bum; now he’s a hard worker. (But try to avoid semi-colons in novels.)
Or . . . He used to be a lazy bum—now he’s a hard worker.

More Comma before “too”:
From Tristi Pinkston, author and editor, former CEO of Trifecta Books:
-Add a comma if it’s an addition to a list: “I’m going to the store, the library, and the dry cleaners, too.”
-Add a comma if it’s in addition to something: “It’s not just unfortunate, but miserable, too.” (The second idea pertains to the first idea, so a comma is used.)
-No comma if it’s inclusive: “I think that’s unfortunate too.”
     [KNIGHTLINES edits] 
     However, some grammarians say to use a comma if “too” is at the end of a sentence. “I think that’s unfortunate, too.”
     Use a comma before and after “too” if it’s in the middle of a sentence: “I know, too, that chocolate is addicting.”  
     Using or not using a comma before “too” can be a stylistic choice. If you want the sentence to read smoothly, leave out the comma. If you want a pause, use the comma to slow down the sentence. If no emphasis is needed, no comma is needed.
     As you can see, a comma before “too” is controversial. Some die-hard grammarians say to use the comma before “too” no matter what. But overall, grammarians will instruct you to “be consistent.”

More Comma Problems: non-essential and essential appositives
An appositive provides more information for the noun. If it's essential, it needs a comma. If the information is not essential, no comma is needed.
Correct: I watched the show “Star Trek” with my brother Henry.
-If Henry is clarified as your only brother, there should be a comma before his name. Or if either noun is clarified, use commas.
Correct: I watched Gene Roddenberry’s show, “Star Trek,” with my only brother, Henry. 

Comma Before “Then”:
1. If “then” indicates sequence, you can see if it needs a comma by replacing it with a more common conjunction.
"Students will read a passage and answer a question."  You see that a comma isn’t needed, unless it helps clarity, or the sequence of phrases is structured as a list: Students will read a passage, then do a dance, and then give a report on their experience.
2. A comma before then is often used to separate an independent clause and a dependent clause.
“Students will read a passage” is the independent clause, and “Answer a question” is the dependent clause.
3. If a sentence isn’t long, a comma wouldn’t be needed. But if the sentence is long, a comma would be used to indicate a pause.
“If you go then I will too.”

Commas to separate coordinate adjectives:
-If you can flip the adjectives around, use a comma: “He’s a little, black poodle.” [You can flip this to black, little poodle, so use a comma.]
-If you can’t flip the adjectives, don’t use a comma: “She loved warm chocolate chip cookies.” [She loved chocolate chip warm cookies? No.]   

BUT SEE BELOW . . .



Top 10 Grammar Mistakes according to Eschler Editing: http://www.eschlerediting.com/top-10-grammar-mistakes-to-avoid/)


1. it’s/its (and possessives)
It’s=a contraction of it and is. Its=possession (his, hers, its).
2. than/then
Than=comparison. Then=what happens next or at that time.
3. everyday/every day
Everyday=what kind of shoes, synonymous with “ordinary” [adjective]. Every day=describes how/when she wears her shoes [adverb].
4. there/their/they’re
There=a place or direction. Their=possession. They’re=contraction of they and are.
5. your/you’re
Your=possessive of you. You’re=contraction of you and are.
6. sit/set
Sit=when there isn’t something that “takes” the action, but rather something is doing the action. Set=when something takes the action [the book], or something acts upon the item.
7. any more/anymore
Any more = A quantity. Anymore = Any longer; a period of time.
8. to/two/too
To=a movement toward. Two=the number. Too=in addition
9. lie/lay
Lie=like sit, when there isn’t something that “takes” the action, but rather something is doing the action. Lay=like set, when something takes the action [the coat].  [Objects lay but people lie.]
10. alright/all right Alright is outdated.


Gerunds:

Gerunds are words that are formed with verbs but act as nouns. They’re very easy to spot, since every gerund is a verb with “ing” tacked to its tail. There are no exceptions to this rule.
  1.         Swimming in the ocean is Sharon’s passion.
  2.        Let’s go dancing at the club tonight.
  3.        I’ve been dreaming of summer all winter long.
  4.        Holly decided that flying above the clouds was the most incredible experience she’d ever had.

Use gerunds to change up sentences. If you've used Sharon's name, or "she" to begin a few too many paragraphs, change it up with a gerund. Instead of Sharon's passion is swimming in the ocean, use #1 above.